Tom Zé might be from outer space. Of the Tropicalistas, Zé was probably the most avant garde and prone to Dadaist urges, and his first album was a clattering, messy masterpiece of the late 60s Brazilian movement. Then Tropicalia proper lost momentum and its two main figureheads (Gil and Veloso) were exiled. However he continued to explore musically into the 70s but, while many of his contemporaries essentially became pop stars, Zé fell out of the public eye which, to be frank, he was never really in to begin with.
Todos os Olhos contains some of Zé’s most experimental arrangements. Polyrhythm, polytonality, some wild time changes. You get the idea he’s making it up as he goes, but at the same time the music is exceedingly deliberate. Zé takes established Brazilian forms like samba and bossa nova and adds and subtracts until they become something totally his own. Yet for all the musical sophistication going on here, Zé makes it sound effortless, not to mention like he’s having a hell of a good time making it. It’s a lot of fun to listen to, too. I’m told he’s quite the lyrical surrealist as well, so I’m sure if I understood Portuguese there’d be a whole ‘nother level of subversion going on, but I can’t really comment. Needless to say, you should listen to this album. Oh, and also, the cover’s a photo of a marble in somebody’s butthole.
Listen to "Augusta, Angélica e Consolação"
Todos os Olhos contains some of Zé’s most experimental arrangements. Polyrhythm, polytonality, some wild time changes. You get the idea he’s making it up as he goes, but at the same time the music is exceedingly deliberate. Zé takes established Brazilian forms like samba and bossa nova and adds and subtracts until they become something totally his own. Yet for all the musical sophistication going on here, Zé makes it sound effortless, not to mention like he’s having a hell of a good time making it. It’s a lot of fun to listen to, too. I’m told he’s quite the lyrical surrealist as well, so I’m sure if I understood Portuguese there’d be a whole ‘nother level of subversion going on, but I can’t really comment. Needless to say, you should listen to this album. Oh, and also, the cover’s a photo of a marble in somebody’s butthole.
Listen to "Augusta, Angélica e Consolação"
26 comments:
En los últimos días he escuchado mucha música brasileña, os mutantes, tom zé, os brazoes, además de por supuesto veloso y gil. Creo que es un universo muy particular, así como la psicodélia (que complementa en mucho a la era 60s en brazil) la MPB es algo grande que nunca se termina de disfrutar, siempre, en los discos viejos algo nuevo que descubrir y que por supuesto, a alguien como yo, influye infinitamente. Saludos y gracias.
Just came across your blog and I wanted to say thanks. I have recently been turned on to tropicalia and this looks amazing...butthole and all.
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I am not really sure what is this?
Then Tropical proper lost momentum and its two main figureheads
The cover’s a photo of a marble in somebody’s butthole.
this is really hard to ignore it. What I read about the album, makes me interested to listen the album. Thanks for sharing.
This picture on the cover page is really interesting, I must say! This is very exceptional one as well.
Lovely work of Tom . I very much appreciate about this article .
Todos os Olhos contains some of Zé’s most experimental arrangements.
Polyrhythm, polytonality, some wild time changes. You get the idea he’s making it up as he goes, but at the same time the music is exceedingly deliberate.
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Tom Zé grew up in the small town of Irará, Bahia in the dry sertão region of the country's Northeast.
I hope that my brazilian roommate commes home really soon because i dont speak portuguese and i want really bad to read this article.
I love this kind of music man! Thank you so much for sharing these tunes and hope that more and more people will visit your blog.
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