Troyka (1970)

Troyka is a band which justifies our perilous questing across used record stores and spooky abandoned blogs. Although given a major label release (via Atlantic's then new Cotillion branch) Troyka's self-titled 1970 album remains obscure to say the least. Which is pity, because it's truly magnificent. Consisting of Mike Richards (percussion & lead vocals), Robert Edwards (guitar & mandolin) and Ron "Rumor" Lukawietsky (bass) and hailing from Edmonton, Alberta, these fine Canadian gents crafted this album out of a series of jam sessions overseen by Velvet Underground producer Shel Kagan.

This kind of record building can easily result in a schizophrenic end product, each song differing too greatly to give any semblance of cohesion. Though each song is different, ranging from growling biker stomp to lysergic pastorale, fortune favored the bold and the album holds together as a single solid entity. Singer Mike Richards has a "unique" voice but even if you don't warm to him, you'll still find plenty to enjoy, over half the tracks are instrumental.

This is from the 2000 CD reissue put out by Black Rose Records, and there's a bit of noticeable static and hiss in some of the silent sections, perhaps indicating a remastering from vinyl. But don't let that stop you! This is a lost classic.

1. Introduction
2. Natural
3. Early Morning
4. Life's OK
5. Burning of the Witch
6. Rub-A-Dub-Dub Troyka in a Tub
7. Troyka Lament
8. Troyka Solo
9. Rolling Down The Back Road
10. Berry Picking
11. Dear Margaret
12. Go East Young Man Beautiful Pink Eyes
13. Troyka Finale

Listen to Early Morning:


Troyka (1970) mp3 320 kbps

Crocheted Doughnut Ring/Doughnut Ring Singles

Thanks again to the It's Psych Forum, I give you a collection of singles from a band known as the Crocheted Doughnut Ring and apparently just the Doughnut Ring at some other point. I'm having trouble finding much information on them, so drop a comment if you can fill me in. A range of sounds can be heard throughout these eight tracks, including some perfectly crafted psych-pop, minimal-far-out-sound-
collage-type-shit, good old rock 'n' roll, a tune with some hispanic flavor and a "cool island song" (to melt your icy heart). The collection starts off with "Havana Anna" which is the cool island song I speak of. It's a catchy tune that has yet to grow old for me... definitely one of my favorites. Another stand out song is the ballad "Maxine's Parlour," although the highlight of the collection is the Crocheted Doughnut Ring's last two tracks. "Nice" is the sound collage, which is a pretty shocking listen considering it was created by a late 60s band with obvious ambitions to write pop songs. Although I'm pretty unfamiliar with musique concrète, I suspect it was heavily influenced by it as well as early electronic music. Modern lo-fi indie bands that get off on occasional experimental sound wish they could make this shit. Just when you think this band couldn't get any sweeter, "Nice" segues into "Two Little Ladies (Azalea & Rhododendron)." Packed with catchy melodies, tinkering harpsichord, swirling psychedelic effects, and frequent shifts in tempo, "Two Little Ladies (Azalea & Rhododendron)" epitomizes 60s psych-pop. I find the song very reminiscent of the Idle Race's debut album Birthday Party, which is no small compliment. The two Doughnut Ring tracks don't excite me quite as much, but I still get dibs on sampling the first eight seconds of "Dance Around Julie." In case you were wondering, that's not the real artwork.

Update: Check the comments of this post for some detailed information about the Crocheted Doughnut Ring/Dougnut Ring.

Gilberto Gil - Gilberto Gil (Frevo Rasgado) 1968

Former political exile and current Brazilian Minister of Culture, Gilberto Gil was also — in the interest of this blog — one of the original tropicalistas. Along with Caetano Veloso, Tom Zé and Gal Costa, Gil was a pioneer of the short-lived, albeit highly influential, Tropicália movement. Gil's second album (subtitled Frevo Rasgado), recorded in 1968 during the height of the protest movement against the recently installed military government, is deceptively upbeat. And while my understanding of Portuguese is very limited, songs like "Marginália II" reference the end of the world and I'm pretty sure "Domingo no Parque" is about someone getting murdered in a park. Anyway, politics and pessimism aside, this album is extremely enjoyable. Gil pulls from all types of sources including, but not limited to, native styles such as bossa nova and samba, as well as ideas gleaned from British psychedelia and good old fashioned American rock'n'roll (check the "Hang on Sloopy" reference in "Pega a Voga, Cabeludo"). The product is ultimately something altogether unique. Os Mutantes also make an appearance on the album, as they often did live (see: "Domingou"). Full of upbeat numbers, there are some slow burners like "Pé da Roseria," as well as the obligatory (yet totally dope) freak out "Questão de Ordem " which foreshadows some of Gil's more experimental work to come. Polyrhythmic percussion— see: "Marginália II", "Ele Falava Nisso Todo Dia" "Procissão" — and some deftly arranged strings (reportedly courtesy of Tropicália's resident composer/arranger Rogério Duprat) are the highlight of this album. Long story short, this joint has become one of my favorite albums if for no other reason than the fact that it's so fun to listen to (see: novel idea). While Gil's next album, Gilberto Gil (Cérebro Eletrônico), may be considered more "psychedelic", it's not (in my opinion) as consistently entertaining as this release.

For those of you interested in the Tropicalismo movement and the conditions that produced it, check out Caetano Veloso's Tropical Truth: A Story of Music and Revolution in Brazil


For those of you interested in YouTube, check out:

Listen to "Domingou":


Download Gilberto Gil (Frevo Rasgado)

The Always Blue Society Compilation Vol. 4

My fourth and possibly last compilation. I'll be bringing in two new contributors soon, so I'm considering doing away with compilations for now... maybe not. Anyhow, this compilation alternates between British and American psychedelia from the late 60s. I think it's pretty enjoyable.

1. Tomorrow - "Real Life Permanent Dream"
2. Strawberry Alarm Clock - "Birds in My Tree"
3. The Tremeloes - "Suddenly Winter"
4. The Electric Prunes - "The Great Banana Hoax"
5. Les Fleur De Lys - "Circles"
6. T.I.M.E. - "Tripping Into Sunshine"
7. The Smoke - "My Friend Jack" (Demo Version)
8. The Smoke [US] - "Gold Is The Colour Of Thought"
9. Forever Amber - "The Dreamer Flies Back"
10. The Millennium - "It's You"
11. The End - "Cardboard Watch"
12. Moon - "I Should Be Dreaming"
13. Idle Race - "Hurry Up John"
14. Love - "! Que Vida !"

Download The Always Blue Society Compilation Vol. 4

The Electric Prunes - Underground (1967)

This is the second album by the Los Angeles based psychedelic/garage rock/pop group the Electric Prunes. Although it never did as well as their debut record, which included their hit song "I Had Too Much to Dream (Last Night)," it has since become regarded as a classic album of the 60s psychedelic era. While the Prunes did play the majority of the music on their first two records, most of their material was not penned by the band. Producer Dave Hassinger was too busy to contribute much to the recording of Underground due to his success from the previous singles and debut, which allowed the band to write five of the twelve songs on the album. Underground consists of a range of styles that come together to create a strangely cohesive album. The sporadic psych-pop of "The Great Banana Hoax" and "Wind-Up Toys" somehow manages to lead into the tongue-in-cheek country of "It's Not Fair" and the downright strange "Dr. Do-Good." There are a number of solid pop songs like "Children of Rain," "I Just Happen To Love You" and "Antique Doll" that help tie everything together. Psychedelic sounds and textures are abundant throughout Underground, which take otherwise good songs to new levels. It's this attention to detail that has secured Underground and the Prunes' legacy in psychedelic history. Who knows what they could have tapped into had they stuck together and gained full creative control.

Download Underground

A Couple of Singles from 45s

As an admitted conformist to the digital age of music, I've had difficulty getting into 60s psychedelic singles and 45s. iTunes can seem so cluttered filled with tons of single songs by obscure bands. So now I'm finally starting to venture into this territory and have came across some pretty amazing stuff already.

The Gordian Knot - Broken Down Ole Merry-Go-Round


My intentions of posting singles is to showcase the work of groups who didn't release albums. As it turns out, Gordian Knot did release an album in '68, but I've just been so into this song that I can't help but put it out here. I love how this song naturally eases from a somber verse to a cheery chorus. There's some great lead guitar that compliments the vocals and harmonies beautifully. In the middle of the song, it deviates into a weird, carnival-esque bridge. I don't really feel this as much as the rest of the song, but it's amusing enough. If you're dying for information on the Gordian Knot, here's a write-up on allmusic.com.

The Mass - Without You


I'm having trouble finding solid information on this band. This article might be about them, but I'm not sure. If anyone can confirm or disprove this, it would be appreciated. Anyhow, "Without You" is a pretty straightforward R&B tune with great guitar, drums and vocals. It's just an all around good song... nothing more, nothing less.

Much thanks to Sir Psych and others from The It's Psych Forum for posting 45s.

Moon - Without Earth and the Moon (1968/1969)

This is a CD release that features psych-pop supergroup Moon's two albums, Moon Without Earth and Moon. Moon was most remembered for featuring ex-Beach Boy David Marks on lead guitar. At just 14, Marks filled in for Al Jardine who left the Beach Boys to attend dental school. After leaving the group around the age of 16, he formed two bands prior to the formation of Moon, including Dave & the Marksmen and Band Without a Name. Marks would form Moon with pianist/vocalist Mathew Moore who wrote most of Moon's songs. Bassist David P. Jackson and drummer/producer Larry Brown completed the line-up, although bassist Andy Bennet played on Moon and session drummer Jim Keltner contributed as well. The band actually moved into Continental Recorders in Hollywood and recorded Moon Without Earth in 1968 and Moon in 1969 for Imperial. Marks has since admitted that they recorded both albums under the influence of LSD. Moon would disband sometime shortly after the release of these albums, neither of which had any successful singles. Although relatively unheard at the time of their release, they have since become favorites of psychedelic collectors. Both albums are composed of catchy tunes with dense instrumentation, liberal use of vocal harmonies and occasional psychedelic effects. Moon is less focused on creating psychedelic sounds as the debut, and more focused on pure songwriting. I tend to prefer their debut for this reason, although Moon is a quality album nonetheless. This release also features five bonus tracks, three of which are recordings of Matthew Moore Plus Four.

Download Without Earth and the Moon